“Juliet Heller is absolutely believable as Alexa. She gives a painstaking, fever-pitch interpretation of the character in the first act and skillfully deconstructs her in the second act.” (As Bees In Honey Drown)

“The role of Alexa demands a star turn, and Juliet Heller delivers. She's convincing both as the humble Brenda and the mesmerizing dynamo Alexa.” (As Bees In Honey Drown)

“Since operetta is usually considered one point of origin for the musical, it’s interesting to see how Pirates is gathered into the Broadway fold....The adroit G & S shifts from deadpan parody to arch comedy, galloping off into total burlesque seldom come across so delectably...some solid, knowing leads and character roles, especially Juliet Heller’s delightful Mabel...bridge the gap betwixt one stylized form (or its parody) and its looser godchild."(The Pirates of Penzance)

“...It’s all great fun, with an enthusiastic audience and a lot of juice up onstage...with Heller’s splendid rendition of “Poor Wandering One!”..."(The Pirates of Penzance)

“…The singing and dancing in ‘Pirates’ is particularly well done in the show…Heller [is a] standout, bringing not only an excellent voice, but a performance quality that adds to audience enjoyment.” (The Pirates of Penzance)

“…a lovesick barber named Rodney Hatch places the engagement ring intended for his fiancé, Gloria Kramer (an appropriately pouty Juliet Heller)…”(One Touch of Venus)

“Juliet Heller proved a fine counterpart for [Harold Hill]. Her characterization of Marian Paroo held a satisfying balance between righteous indignation, suspicion and sentimentality. Her singing, especially in Goodnight, My Someone and Will I Ever Tell You was quite lovely.” (The Music Man)