“Juliet Heller is absolutely believable as Alexa. She gives a painstaking, fever-pitch interpretation of the character in the first act and skillfully deconstructs her in the second act.” (As Bees In Honey Drown)

“Since operetta is usually considered one point of origin for the musical, it’s interesting to see how Pirates is gathered into the Broadway fold....The adroit G & S shifts from deadpan parody to arch comedy, galloping off into total burlesque seldom come across so delectably...some solid, knowing leads and character roles, especially Juliet Heller’s delightful Mabel...bridge the gap betwixt one stylized form (or its parody) and its looser godchild."(The Pirates of Penzance)

“Juliet Heller proved a fine counterpart for [Harold Hill]. Her characterization of Marian Paroo held a satisfying balance between righteous indignation, suspicion and sentimentality. Her singing, especially in Goodnight, My Someone and Will I Ever Tell You was quite lovely.” (The Music Man)